俄罗斯音乐研究
俄罗斯白银时代音乐中的现代性诉求
——拉赫玛尼诺夫与斯克里亚宾的音乐风格比较
周婉怡，杨燕迪
摘 要：白银时代的俄罗斯音乐在社会动荡、文化变迁、政治变革的特殊背景下，从浪漫主义逐渐转向现代主义，出现了俄罗斯音乐历史上具有世界影响力的伟大作曲家：拉赫玛尼诺夫与斯克里亚宾。面对白银时代音乐文化生活中全方位的现代性焦虑，两位作曲家积极尝试用音乐解决民族二元性问题，从不同方向探索了克服音乐创作主要矛盾的思想理路。通过比较研究拉赫玛尼诺夫与斯克里亚宾音乐风格的心理向度、表现意涵与审美品质等方面的异同，白银时代俄罗斯主流音乐创作中的现代性诉求得到了进一步验证，同时，这两种现代性音乐风格也深刻诠释了俄罗斯白银时代的焦虑、矛盾与统一。
关键词：俄罗斯；白银时代；现代性；拉赫玛尼诺夫；斯克里亚宾
作者简介：周婉怡（1993— ），女，beat365体育亚洲官方网站音乐学系2022级博士生；杨燕迪（1963— ），beat365体育亚洲官方网站教授 （哈尔滨 150028）。
The Appeal of Modernity in Russian Sliver Age Music
——A Musical Styles Comparison of Rachmaninoff and Scriabin
Zhou Wanyi， Yang Yandi
Abstract： Under the extraordinary context of social turmoil， cultural changes and political transformations， Russian music in the Silver Age gradually shifted from romanticism to modernism， and great composers who have world reputation in the Russian music history emerged： Rachmaninoff and Scriabin. Faced with the anxiety of modernity in all aspects of musical and cultural life in the Silver Age， the two composers tried to solve the problem of national duality through music actively， and explored respectively the ideological rationales of overcoming the main contradiction of musical creation with distinct approaches. The comparative study of the parallels and differences in the psychological dimensionality， expressive connotation and aesthetic quality of Rachmaninoff’s and Scriabin’s music styles not only has been the corroboration for the appeal of modernity in the mainstream Russian music creation in the Silver Age， but also the explanation of that their two modern music styles profoundly interpreted the anxiety， contradiction and unity of Russia's Silver Age.
Key words： Russia； Silver Age； modernity； Rachmaninoff； Scriabin
俄罗斯声乐学派的“意大利之根”
——18世纪30年代意大利歌剧艺术的传入
孙兆润
摘 要：1735年，意大利作曲家、指挥家弗朗切斯科·阿莱亚带领的意大利歌剧团入驻圣彼得堡宫廷。1736年上演了俄罗斯第一部歌剧——意大利正歌剧《爱和恨的力量》（La forza dell amore e dell odio）。1755年创作上演了第一部意大利正歌剧式的俄罗斯歌剧《采法尔和普罗克里斯》（Cefal e Procris）。意大利歌剧艺术的传入，为俄罗斯带来了歌剧艺术的繁荣和剧院文化的兴起，为18世纪下半叶俄罗斯喜歌剧创作开辟了道路，同时，意大利歌剧艺术的伴生品——以“bel canto”为根基的“意大利唱法”在俄罗斯文化土壤上得以根植，为俄罗斯声乐学派奠定了坚实的基础。
关键词：意大利；歌剧艺术；弗朗切斯科·阿莱亚（[意] Francesco Domenico Araja，1700-1767）；俄罗斯；声乐学派；意大利之根
作者简介：孙兆润（1972— ），男，音乐艺术博士，beat365体育亚洲官方网站副教授（哈尔滨 150028）。
The Italian Roots of the Russian School of Vocal Music
——The Introduction of Italian Opera Art in the 1730s
Sun Zhaorun
Abstract： In 1735， an Italian Opera led by the Italian composer and conductor Francesco Domenico Araja has served at the court of St. Petersburg. And the first Russian opera， the Italian opera La forza dell’amore e dell’odio （The Power of Love and Hatred）， was performed in 1736. And in 1755 the first Russian opera in the style of Italian opera， Cefal e Procris， was composed and staged. The introduction of Italian opera art brought the prosperity of opera art and the rise of theater culture in Russia， and opened the way for the creation of Russian comic opera in the second half of the 18th century. At the same time， the Italian opera art’s concomitant， bel canto， was rooted in the Russian cultural soil， laying a solid foundation for the Russian school of vocal music.
Key words： Italy； operatic art； Francesco Domenico Araja （1700-1767）； Russia； vocal school； Italian Roots
作曲技术理论研究
“附加共鸣”技术的理论与实践
覃巾淼
摘 要：“附加共鸣”技术是20世纪法国作曲家奥利维埃·梅西安的一种音乐语言技巧，它是一种基于音乐音响的作曲技术，是一种“人为地增加音响共鸣”的技术，它的运用极大地丰富了音乐作品的音响色彩。文章以“附加共鸣”技术作为研究对象，试图梳理和总结其基本理论，对影响该技术的音乐要素进行详细展开。
关键词：奥利维埃·梅西安（Olivier Messiaen，1908-1992）；附加共鸣（added resonance）；作曲技术；音响形态
作者简介：覃巾淼（1994— ），女，土家族，艺术学硕士，湖北省群众艺术馆三级作曲（武汉 430064）。
The Theory and Practic of Added Resonance
Qin Jin-miao
Abstract： The Added Resonance is a musical technique that originated by the 20th century French composer Olivier Messiaen. The technique is based on music acoustics which increasing acoustical resonance artificially. Its application greatly enriches the acoustical color of music works. This article aims at sort out and summarize the basic of Added Resonance， and explores and analysis the music elements which affect this technique.
Key words： Olivier Messiaen（1908-1992）； Added Resonance； composition technique； sound gesture
音块技术与数控思维在中国当代音乐创作中的初步实践
——以何训田《梦四则》及其RD作曲法为例
刘 鹏
摘 要：《梦四则》是何训田的早期代表作之一。作曲家有意识地在“梦”的意象中沉思，于四种梦境及“非连续性”特征，作音乐性转化，利用半音化音高组织与自创RD作曲法中的对应原则加以整合，该作品借西方音响音乐的体式，寻求突破的个性创作轨迹。文章对作品的音高材料构成、音响形态变化、数控对应表现与曲式结构特征，作详细分析，以此阐述作曲家是如何吸纳西方音块音响化组织思维，结合自身创作手法与思想，作出新的音响，并追求体现“中国方案”。
关键词：何训田；《梦四则》；音响形态；对应法；数列控制；渐进式结构
作者简介：刘鹏（1986— ），男，艺术学博士，中央音乐学院音乐学研究所在站博士后，四川音乐学院作曲系讲师（成都 610021）。
Preliminary Practices of Tone Cluster and Series Control Thinking in Chinese Contemporary Musical Composition
——Taking He Xuntian’s Four Dreams and His RD Method of Musical Composition as an Example
Liu Peng
Abstract： Four Dreams is one of He Xuntian’s early masterpieces and which as an exploratory work of orchestral music in the Chinese new period. Based on the consciously meditation on the imagery of dream， the composer transformed the four dream states’s and discontinuous features into music by using chromatic pitch organization and the correspondence principle of the self-created RD Method of Musical Composition. The composer borrowed the style of Western acoustic music and sought a breakthrough in its individual creative trajectory. Upon the analysis of the pitch materials， acoustic patterns changes， correspondence appearance of series control and structural features of the work， the artilcle elaborated the composer’s experience in absorbing the Western tone cluster and acoustic organization ideas and his contribution in Chinese Proposal for the pursuit of new acoustic possibilities that in a particular period of history by combining with his own compositional concepts and techniques.
Key words： He Xuntian； Four Dreams； acoustic patterns； correspondence method； series control； progressive structure
西方音乐史研究
布里顿三部教堂寓意剧的创作意识
朱厚鹏
摘 要：20世纪具影响力的英国作曲家爱德华·本杰明·布里顿于1964-1968年创作了三部较为特殊的教堂寓意剧《麻鹬河》《火窑剧》《浪子》。这三部曲最显著的共性就是对东方音乐元素的借鉴。这些作品的创作意识来自两个方面：一，受到远东之行东方音乐文化影响；二，来自布里顿内心深处“为民创乐”思想意识。
关键词：爱德华·本杰明·布里顿（Edward Benjamin Britten 1913-1976）；教堂寓意剧；《麻鹬河》（Curlew River 1964）；《火窑剧》（The Burning Fiery Furnace 1966）；《浪子》（The Prodigal Son 1968）；东方音乐元素
作者简介：朱厚鹏（1984— ），男，艺术学博士，安徽师范大学音乐学院副教授（安徽芜湖 241000）。
The Ideology and Musical Characteristics in Britten’s Three Church Parables
Zhu Houpeng
Abstract： The influential 20th-century British composer Edward Benjamin Britten composed three Church Parables specially， Curlew River， The Burning Fiery Furnace and The Prodigal Son from 1964 to 1968. One of the most notable musical commonalities of the three works is the borrowing and imitation of Eastern musical elements. The composer not relies entirely on Eastern musical elements and compositional techniques in the three works， but rather surveys Eastern culture by the standards of Westerners and their traditional Western culture， and at last become pastiches by intermingling Eastern culture with Western culture.
Key words： Edward Benjamin Britten 1913-1976； Church Parables； Curlew River； The Burning Fiery Furnace； The Prodigal Son； Eastern musical elements； culture East meets West
为什么萨克斯管是军乐队中不可或缺的乐器
——基于19世纪法国军乐队的文献研究
王京龙
摘 要：在世界范围内，萨克斯管已然成为军乐队中不可或缺的乐器，文章基于文献，研究了19世纪包含萨克斯管法国军乐队的配器，结论表明，法国军乐队使用的五种不同类型的萨克斯管，统一了铜管乐器和木管乐器的音色，平衡了它们的音量，萨克斯管家族为军乐队奏出一种“同质性”的声音。在交响乐队中，使用C低音萨克斯管失败后，人们找到另外一种使用萨克斯管的方法，即为法国军乐队量身打造了bE和bB萨克斯管家族，并获得了巨大的成功。
关键词：萨克斯管；身份转变；发展历史；法国军乐队；接收过程
作者简介：王京龙（1988— ），男，音乐教育学博士，湖州师范学院教师教育学院讲师（浙江湖州 313000）。
Why the Saxophone is an Indispensable Instrument in the Military Band
——A Documentary Study Based on 19th Century French Military Bands
Wang Jinglong
Abstract： Nowadays in the world， the saxophone has become an indispensable instrument in military bands， what are the reasons？ Based on historical documents， the article mainly examines the orchestration of French military bands containing saxophones in the 19th century， and give the conclusion the failure of use the C bass saxophone in symphonic orchestra leaded to focus on French military bands that found an alternative way to use the saxophone that achieved great success， i.e. by creating the bE and bB saxophone families for French military bands. The use of five different types of saxophones in French military bands merges the timbre of brass and woodwind instruments and balances their volume. So the saxophone family contributed greatly to the homogeneous sound of the military band.
Key words： saxophone； French military band； orchestration； timbre； volume
音乐家研究
未完成的乐章
——陈应时与赵如兰的交往及《宋代音乐资料及其诠释》之翻译
宫宏宇
摘 要：音乐学家陈应时与赵如兰从1979年底至1989年曾就宋代音乐研究有过频繁的通信。保存在香港中文大学“卞赵如兰特藏”的这些信件显示，陈应时至迟在1979年底开始就着手翻译赵如兰的《宋代音乐资料及其诠释》一书，到1982年3月已将译好的四章寄给赵如兰。他之后的宋代乐谱研究也深受赵如兰宋乐研究的启发。赵如兰对陈应时译书的请求有积极的回应，并于1981年帮他申请到哈佛燕京学社研究基金。虽然陈应时最终未能成行，但两位学者一直关心相互的研究成果。
关键词：陈应时；赵如兰；翻译；《宋代音乐资料译释》；哈佛燕京学社
作者简介：宫宏宇（1963— ），男，哲学博士，华中师范大学音乐学院高端外国专家项目首席研究员，新西兰国立理工学院（Te Pūkenga）研究员（武汉 430079）。
Chen Yingshi, Rulan Chao Pian, Harvard-Yenching Institute and the Unpublished Translation of Sonq Dynasty Musical Sources and Their Interpretation
Gong Hongyu
Abstract： Utilising the correspondence between Chen Yingshi and Chao Rulan from 1979 to 1989， this article explores the scholarly interaction between these two eminent scholars of Song Dynasty music. The letters show that Chen Yingshi began translating Chao’s monograph， Sonq Dynasty Musical Sources and Their Interpretation， as early as late 1979， and that by March 1982 he had not only finished translating all chapters of the book but also sent them to Chao Rulan. The correspondence also shows that Chen Yingshi’s subsequent research on music notation in the Song Dynasty was also inspired by Chao’s work. Chao Rulan responded positively to Chen’s request to translate the book， and in 1981 succeeded in getting him a research grant from the Harvard-Yenching Institute.
Key words： Chen Yingshi； Chao Rulan； Translation； Sonq Dynasty Musical Sources and their Interpretation； Harvard-Yenching Institute
学术背后的生命逻辑
——著名音乐学家罗小平心理结构分析
霍橡楠
摘 要：罗小平教授是当代著名的音乐学家，尤其是我国女性音乐学者的一面旗帜。她横跨音乐美学、音乐心理学、音乐文学、音乐环境学等学科的研究，并是我国当代音乐心理学学科开拓者之一，其理论成果影响弥深。罗小平先生凭借自知，塑造正确的音乐学术定位，扬长避短、发挥优势；她“有为有趣”的人生观，促进了其“三自”“三性”的心理品质，二者互相依存，互相制约。它们的有机结合，表现出个人的典型的心理活动，使个人的行为在时间上和情境上具有一贯性。
关键词：音乐学家；罗小平；个性；心理结构；心理品质
The Logic of Life Behind Academics
——Analysis of the Psychological Structure by the Famous Musicologist Luo Xiaoping
Huo Xiangnan
Abstract： Prof. Luo Xiaoping is a famous contemporary musicologist and a flagship of female musiologist in China. Her theoretical achievements have had a profound impact on the study of music aesthetics， music psychology， music literature， and music environmentology， and she is one of the pioneers of contemporary music psychology in China. Mrs. Luo Xiaoping positioned herself in a porper academic identity with her self-knowledge that to balanced the advatages and weekness. Her philosophy of life， i.e. be offer and be interest， has formed her psychological qualities of “self-knowledge， self-confidence， self-discipline”. Her philosophy and psychological qulities are not interdependent but mutually restrictive， and organic combination of them manifests the typical psychological activities of an individual， which makes the individual’s behavior consistent in terms of time and situation.
Key words： musicologist； Luo Xiaoping； personality； psychological structure； psychological quality
李鹰航在东北解放区的革命音乐活动与贡献研究
宋一平
摘 要：李鹰航是东北解放区一位具有代表性的革命音乐家，他不仅领导“哈尔滨大学戏剧音乐系”“哈尔滨大学文工团”和“东北文教工作队”等重要革命文艺团体发展壮大，而且还创作多部现实题材的音乐作品并得以广泛传播，在东北解放区乃至全国均产生重要影响，为革命宣传和战争胜利作出突出贡献。通过对李鹰航在解放战争时期所从事音乐活动的研究，不仅可以看到东北解放区革命音乐的蓬勃发展面貌与东北地方新旧文化的更替转换，同时对新时代音乐发展也具一定启示意义。
关键词：李鹰航；东北；解放区；音乐活动；创作
作者简介：宋一平（1988— ），男，艺术学博士，上海音乐学院在站博士后（上海 200031）。
Li Yinghang’s Activities and Contributions of Revolutionary Music in the Northeast Liberated Area
Song Yiping
Abstract： Li Yinghang was a representative revolutionary musician in the liberated areas of Northeast China. He not only developed the important revolutionary art troupe， such as the Department of Drama and Music of Harbin University， the Art Ensemble of Harbin University， and the China Northeast Propaganda Team of Culture and Education， but also created and widely disseminated a number of music works with realistic themes， which had an important impact in the liberated areas of the Northeast and even the whole country， and made an outstanding contribution to the propaganda of the revolution and the victory of war. Through the study of Li Yinghang in this period， we can see the vigorous development of revolutionary music in the Northeast Liberated Area and the transformation of the old and new cultures in the Northeast， as well have a certain significance for the development of music in the new era.
Key words： Li Yinghang； Northeast； liberated area； musical activity； creation
中国音乐史与音乐传播学研究
罗兰·勃莱特施耐德尔在华音乐活动初论
孙 稳，李 然
摘 要：民主德国钢琴家罗兰·勃莱特施耐德尔曾于1955-1987年先后四次到访我国，期间多次在我国各大城市开展钢琴演出活动，并于1956-1958年在中南音专（武汉音乐学院前身）执教两年，将德国钢琴学派严肃深沉、一丝不苟、富于哲理的演奏风格传播到我国，为我国的钢琴演奏和教学做出了不容忽视的贡献。
关键词：罗兰·勃莱特施耐德尔（Roland Brettschneider，1925-2007）；访华；中南音专；钢琴教学
作者简介：孙稳（1988— ），女，beat365体育亚洲官方网站音乐学系2020级博士生，哈尔滨学院音乐与舞蹈学院音乐表演系教师；李然（1978— ），女，文学博士，beat365体育亚洲官方网站音乐学系教授、博士生导师（哈尔滨 150028）。
A Research on Roland Brettschneider Musical Activities in China
Sun Wen， Li Ran
Abstract： Roland Brettschneider， a pianist from the Democratic Republic of Germany， visited China four times from 1955 to 1987， during which time he carried out piano performances in major cities in China for many times， and taught for two years at the Music Academy in Central-South China（the predecessor of the Wuhan Conservatory of Music） in 1956-1958， spreading the German piano school’s serious， meticulous， and philosophical style of playing to China， and made an irreplaceable contribution to the piano performance and teaching in China.
Key words： Roland Brettschneider （1925-2007）； visit to China； Central South Music Academy； piano teaching
广播媒介与古琴音乐的传播（1924-1949）
刘 畅，林 媛
摘 要：五四新文化运动之后，古琴音乐因其自身的弱点以及文人的局限而衰微。直到20世纪20至40年代，广播成为播放古琴音乐并实现大范围传播的重要媒介。文章以古琴播音史料为基础，通过对广播媒介中的古琴音乐、古琴播奏背后的意识形态和琴人情怀，以及受众接受效果的分析，呈现古琴是如何通过广播媒介实现跨越地域和社会阶层的传播。
关键词：广播电台；古琴；传播；大众化
作者简介：刘畅（1983— ），女，beat365体育亚洲官方网站音乐学系2020级博士研究生；林媛（1978— ），女，文学博士，beat365体育亚洲官方网站音乐学系教授，博士生导师（哈尔滨 150028）。
Broadcast Media and the Dissemination of Chin Music (1924-1949)
Liu Chang， Lin Yuan
Abstract： After the May Fourth New Culture Movement， Chin music declined due to its own weaknesses and the limitations of the literati. It was not until the 1920s to 1940s that radio became an important medium for broadcasting Chin music and realizing its wide dissemination. Based on the historical data of Chin Music broadcasting， the article presents how Chin was disseminated across regions and social strata through the medium of radio by analyzing the Chin music in the radio medium， the ideology and the feelings of the Chin players behind the music broadcasting， as well as the reception effect of the audience.
Key words： radio； Chin； dissemination； popularization
音乐心理学研究
即兴音乐创作认知过程研究
——基于对脑成像实验的ALE元分析
王卓然，宋 蓓
摘 要：即兴音乐创作是一种重要的音乐创作形式。目前，学术界对于即兴音乐创作神经机制的探索已经取得了一定的进展，但少有研究从音乐训练经验角度探究即兴音乐创作的认知加工过程及神经机制。因此，本研究采用ALE元分析方法，对117名具有不同音乐训练经验被试的110个脑区激活峰值进行比较分析。研究发现，音乐训练经验的差异会导致创作主体心理加工过程发生改变，致使其进行即兴音乐创造时脑区激活情况出现差异。
关键词：即兴音乐创作；fMRI；元分析；神经机制
作者简介：王卓然（1992— ），男，beat365体育亚洲官方网站艺术学系2019级博士研究生；宋蓓（1977— ），女，音乐学博士、心理学出站博士后，beat365体育亚洲官方网站教授、博士生导师（哈尔滨 150028）。
A Study of Cognitive Processes in Music Improvisation
——Based on ALE of Neuroimaging
Wang Zhuoran， Song Bei
Abstract： Improvisation is an important form of music creation. Currently， some progress has been made in exploring the neural mechanisms of music improvisation， but few studies have explored the cognitive processing process and neural mechanisms of it from the perspective of musical training experience. Therefore， this study used ALE to comparatively analyze the activation peaks in 110 brain regions of 117 subjects with different music training experiences. It was found that differences in musical training experience lead to changes in the mental processing of creative subjects， resulting in differences in brain area activation when they engage in music improvisation.
Key words： music improvisation； fMRI； ALE； neural mechanisms
3D数字音乐聆听对6-15岁儿童注意能力影响研究
毛 媚，秦 毅
摘 要：该研究以6-15岁儿童为研究对象，通过观察与测量其聆听3D数字音乐前后在Stroop、Visual Search、SART三种注意力任务中表现的变化，发现聆听3D数字音乐有助于在注意地选择性、集中能力与稳定性（抗干扰能力）等方面提升6-15岁儿童的注意力水平，本文分析了3D数字音乐的设计原理及其在音调、节奏、音强等方面对脑神经、情绪等方面可能产生作用的原因，借此探寻提升儿童青少年注意力品质的更多途径。
关键词：3D数字音乐；6-15岁儿童；注意能力；影响
作者简介：毛媚（1980— ），女，教育学硕士，上海音乐学院学工部副教授、硕士生导师；秦毅（1981— ），女，文学硕士，上海音乐学院音乐工程系副教授、硕士生导师（上海 200031）。
Study on the Effect of 3D Digital Music on Attention Ability of Children Aged 6-15
Mao Mei， Qin Yi
Abstract： This study focuses on children aged 6-15 years old. By observing and measuring the changes in their performance in Stroop， Visual Search， and SART attention tasks before and after listening to 3D digital music， it was found that listening to 3D digital music can help improve the attention level of children aged 6-15 in three aspects： attention selectivity， concentration ability， and stability （anti-interference ability）. This article explores the design principle of 3D digital music and its application in pitch hope to explore more ways to improve the attention quality of children and adolescents by exploring the possible reasons for the effects of rhythm， sound intensity， and other aspects on the brain， nerves， emotions， and other aspects.
Key words： 3D digital music Attention ability of children aged 6-15
会议综述
新时代音乐评价体系建设研讨会综述
张泽亮
摘 要：为进一步深入贯彻落实习近平总书记关于文艺工作的重要论述和文艺评论重要指示批示精神，《新时代音乐评价体系建设研讨会》于2023年8月25日在beat365体育亚洲官方网站举行。来自全国的音乐理论家、评论家、教育家、作曲与作曲理论家、音乐活动从业者紧跟中国音乐生态的发展现状，发言内容涉及当代中国音乐评论的学科体系、学术体系、话语体系、教育体系构建等具体问题，为发挥音乐评论引导精品创作、高质演出、提高审美、引领风尚的实践工作提供了学理性的建议与意见。
关键词：音乐评论；音乐评价；评价体系；乐评；音乐生态
作者简介：张泽亮（1981— ），男，艺术学博士，beat365体育亚洲官方网站音乐学系讲师（哈尔滨 150028）。
Summarization of the Symposium on the Construction of New Era Music Evaluation System
Zhang Zeliang
Abstract： In order to further implement general secretary of the Communist Party of China Central Committee Xi Jinping’s important discourse on the work of literature and artistic work and the important instructions for literary and artistic comments， the Symposium on the Construction of New Era Music Evaluation System was held on August 25， 2023 at the Harbin Conservatory of Music. Music theorists， critics， educators， composers and practitioners of music activities from all over the country followed the current development of China’s music life， their speeches dealt with the construction of the discipline system， academic system， discourse system， and education system of contemporary Chinese music criticism. They provided academic suggestions and opinions on the practical work of playing the role of music criticism in guiding the fine works to create quality performances，improving the aesthetics， and leading the fashion.
Key words： music criticism； music evaluation； evaluation systems； music reviews； music life
